Selected Publications

Goodbye to Berlin: Review of Max Raabe and Palast Orchester.

Parterre Box | April 2024

How Solarpunk Fiction Defies Dystopian Doomerism

Current Affairs | March 2024

Itamar Moses’s The Ally Is an Exercise in Liberal Ambivalence

Jacobin | March 2024

Tenor SeokJong Baek Opens Up About His Tenor Transformation and the Pursuit of Success

Observer | March 2024

Diplomatic Immunity: Review of Émigré by Mark Campbell and Aaron Zigman

Parterre Box | March 2024

Review: Roman Grygoriv and Illia Razumeiko’s ‘Chornobyldorf’ Burns Bright at the Prototype Festival‘

Observer | January 2024

Adrift: A Medieval Wayward Folly’ Review: Demons, Dulcimers, and Dancing Strawberries

Observer | December 2023

A New Album of Old Labor Songs Revives a Forgotten Era of Class Struggle

Jacobin| November 2023

A Musical Rendition of ‘The Tempest’ Marks the End of an Era at the Delacorte

Observer | September 2023

Star Tenor Lawrence Brownlee Ends His 2023 Season With ‘Singspiel’ and Solidarity

Observer | June 2023

Rauw en kwetsbaar [Raw and Vulnerable (in Dutch)]

Muziekgebouw | March 2023

Review: David Graeber Argues that the Enlightenment Was Heavily Influenced by Pirates

Observer | January 2023

Opera and Apocalypse: Imagining the World After Humans Have Gone

Observer | January 2023

David Geffen Hall Furthers Lincoln Center’s Uniquely Stunning Architectural History

Observer | September 2022

Michael Cavadias’ Claywoman Performance Returns to New York City

Observer | September 2022

The Institute for Christian Socialism Wants to Bring Left Politics to American Christianity

Jacobin | July 2022

At the Birthplace of the Ballistic Missile, a Concert for Peace

The Forward | June 2022

Review: Polymath Artist Frank Walter’s Paintings Shine at David Zwirner Gallery, Curated by Hilton Als

Observer | June 2022

Alfredo Jaar’s ‘The Temptation to Exist’ at Galerie Lelong Bit Off More Than It Could Chew

Observer | May 2022

Review: Indie Opera ‘Self Defined Circuits’ Is a Riveting Tale of a Sex Robot Reckoning With its Existence

Observer | May 2022

Opera’s Tradition of Wealth: Diva Eleonora Buratto Performed at a Decadent $12,000 a Table Gala

Observer | May 2022

Non-Equity ‘Waitress’ Musical Tour Files for Union Recognition

Observer | April 2022

How Creative Writing Programs De-Politicized Fiction

Current Affairs | April 2022

Will a Small Group of Hair and Makeup Stylists Manage to Change the Definition of a Gig Worker?

Observer | April 2022

The ‘Whitney Biennial 2022: Quiet as It’s Kept’ Is Anything but Quiet

Observer | April 2022

Conducting Phenom Jonathon Heyward Makes His North American Debut Tour

Observer | April 2022

Baritone Lucia Lucas Becomes First Openly Trans Singer to Perform at the Met Opera

Observer | March 2022

Costume Designer Paul Tazewell Talks Building Characters Through Fabric and Color

Observer | March 2022

Soprano Anna Netrebko Ousted From the Met Opera for Putin Support

Observer | March 2022

Musicians Organize Around DMCA Law, Time’s Up for Spotify
Observer | March 2022

Restitution Ceremony at Belgium’s AfricaMuseum Precedes EU-AU Summit
Observer | March 2022

Associate and Resident Directors and Choreographers Unionize with SDC
Observer | February 2022

PRISM Quartet’s Brilliant, Uncanny ‘Mending Wall’ Premieres at Roulette
Observer | February 2022

Staff Strike at California College of the Arts Over Unfair Labor Practices
Observer | February 2022

Workers at the American Museum of Natural History Seek to Unionize with DC 37
Observer | February 2022

Union Busting at Meow Wolf: Workers File Unfair Labor Practice Suit
Observer | February 2022

Performing Arts Workers Testify to Congress: Arts and Culture Are in Peril
Observer | January 2022

Opera Conductor Carlo Rizzi Triumphantly Returns to the Met Opera
Observer | January 2022

Jewish Museum Workers Are Organizing a Union with Local 2110
Observer | January 2022

Mobilization Director of Actors’ Equity, Stefanie Frey, Talks Organizing Theater
Observer | January 2022

Remarks by Broadway League President Enrage Theatre Community
Observer | December 2021

Radicals Go Caroling: The Untold Story of Progressive Choirs
Yes! Magazine | December 2021

No Total Lockdown for Broadway During Omicron Surge
Observer | December 2021

Trapped in Carnegie Hall for “On-Call” Food Breaks, Union Files Against DCINY
Observer | November 2021

MFA Boston Staff Hold One-Day Strike for a Fair Contract
Observer | November 2021

Organizing the Unorganized: the Teamsters Take on Amazon
The Progressive | October 2021

A National Surge of Organizing Shows the Power of Unionizing
The Progressive, October 2021

Organize or Perish: The Unionization of Academic Publishing
The Progressive | September 2021

Stunning Sweep for the UAW: Three More New York City Museums Unionize With Local 2110 Observer | August 2021

Fully Automated Luxury Gay Space Communism — Or Bust
The Bias | August 2021

Actors’ Equity Moves to Diversify Theatre by Opening Access to Membership
Observer | August, 2021

Graduate Student Union, Yes!
The Progressive | August/September Issue, 2021

Khari Turner’s ‘Breathing Water to Air’ Is an Impressive Debut at Ross-Sutton Gallery
Observer | July 2021

2021 Observer Arts Power 50
Observer | June 2021

How NYU’s Grad Student Union Went on Strike—and Won
The Progressive | June 2021

Artist Unions are Organizing in Support of the PRO Act
Observer | May 2021

In Britain, the Left is Resisting a Massive Expansion of Police Powers
Jacobin | May 2021

Dance Dance (Socialist) Revolution
Current Affairs | April 2021

The Met Opera Wants To Reform, But Can It?
Observer | April 2021

The Rosenberg Orphans and the Power of Radical History
Current Affairs | January 2021

Rebuilding the Solidarity Economy During COVID-19
The Progressive | December 2020

After Sweeping Statewide Races, DSA Aims to Put a Socialist Caucus on New York’s City Council
In These Times | December 2020

A Lesson in Safe Logic: On Liberalism, the Arts, and Quarantine
Protean Magazine | October 2020

‘We’re Facing Some Hard Shit’: Performing Artists are Organizing to Weather the Pandemic
The Progressive | September 2020

How Zohran Mamdani’s Rap Career Taught Him to Campaign as a Socialist
The Indypendent | June 2020

Wailing Wall
Maine Review | Fall 2017

John Saternall’s Feast by Lawrence Norfolk
Bookslut | 2012

It Takes a Village to Kill a Tyrant: Review of Jerzy Pilch’s A Thousand Peaceful Cities
The Tottenville Review | 2010

A Bronx Tail: Dining on City Island
Metromix | 2007

Welcome! You’ve Got Sins
Canon Magazine | 2006

Love is Lighter than Air
Canon Magazine | 2005

A Few Words on the Golem Massacre
Eclectica Magazine | 2005